Margaret Atwood’s themes of survival, images of the body, and the implicit questions about what it means to be female reached inside me and shook me. Slowly, on the cusp of twenty years old, I began to wake from a dark, oblivious sleep.

I’ve come to greatly admire my daughter’s cello teacher. The woman is unrelentingly positive. And good at playing cello. During the teacher’s lesson my daughter’s fingers move deftly over the cello’s four strings, as if under a spell, and I’m shocked at how the sounds often don’t match those made at our house.

I don’t know squat about playing